Nothing New
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Nothing New

Oliver Patterson 

Nothing New by REPEAT is an awesome, fresh take on the alt rock, punk genres. Hailing from Sweden, the band bring a renewed vigor and energy to the rock genre with the use of this beautiful distortion on the guitars and an impassioned vocal performance. Instead of hiding from distortion REPEAT uses it like an instrument in itself. The fuzzy bounce of the distortion becomes a key component to the track’s overall sound. It also beautifully contrasts the purity of the vocal performance. The guitar feels like this constantly evolving wave of sound whereas the vocal feels like a crisp bolt of lighting pushing through it. The power of the voice emphasises the energy of the guitar, both playing off one another to build that tension and confidence at the core of the song’s identity.

This contrasting fuzz and clarity shows the track’s diverse and rich sonic tapestry which is incredibly cathartic to listen to. The drums are another strong point, contributing to the track’s rhythm and timbre at the same time. There are several layers of rhythm that overlap one another, creating this beautiful bounce and counter rhythm that react with one another. The joy of this track are the moments when layers like this intersect over one another. The hiss of the hi hat contributes to this nineties, vintage punk energy. It creates this sense of sonic chaos as the drums transcend the highs and lows of the track’s register, bolstering it from both sides of the composition. The chemistry between the musicians in this track is palpable. The way each element interacts with one another is wonderful. Each attribute is given its moment to shine as the track flows and evolves. I’m really impressed by the sonic cohesion of Nothing New. The punk power is matched by mellow 90’s steeze to form a sound that is wholly unique and worth experiencing for yourself.

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